An excerpt from Sasha Waltz's NOBODY (2002), performed by Sasha Waltz and Guest, music by Hans Peter Khun.
A piece in which desperate souls, throbbing between death and life, tent to own a body for the last time.
"Knote Dance" from Lloyd Newson's STRANGE FISH (1992), performed by DV8 Physical Theatre, directed by David Hinton.
Financial Times: "The playing of the ensemble, the brilliant conflict and complementing of personalities; the shared sense of risk and trust, the acuteness of timing and physical response s matched by an emotional awareness that is dazzlingly communicative".
La cuisine (Pas de deux) from Mats Ek's APPARTEMENT (2003), performed by Clairemarie Osta and Kader Belarbi, music by Fleshquartet.
A stage performance by the Opéra National de Paris.
An astonishing pas de deux from Lloyd Newson's THE COST OF LIVING (2003), performed by DV8 Physical Theater.
When the body is not more linked to our mind and seems to be an useless weight to manage, art provides with an immense flash of purity.
Grand pas de deux from Mats Ek's APPARTEMENT (2003), performed by Céline Talon and Nicolas Le Riche, music by Fleshquartet.
A stage performance by the Opéra National de Paris.
La Servante's pas de deux, with Ana Laguna (La Servante), Jacek Solecki (The Techician), Luc Bouy (Bernarda) . Choreography by Mats Ek, Cullberg Ballet (1978).
From Rudolf Nureyev's "Raymonda", the Adagio of the Vision, danced by Aurélie Dupont as Raymonda, and Jean-Guillem Bart as Jean de Brienne. Opéra de Paris
Pas de deux from Sir Kenneth MacMillan's WINTER DREAMS (1992), performed by Darcey Bussel, Irek Mukhamedov and the artistis of the Royal Ballet, music by P.I. Tchaikovsky.
Aurélie Dupont dances L'Ombre's variation from Lifar's "Les Mirages". Please, pay attention to French ovation at the ending of the variation. Usually, they don't cheer so much: in this case, that's a reason why. Chapeau, Aurélie.
Opéra de Paris
![Aurélie Dupont - L\](http://img.youtube.com/vi/dh9qrTzdiAo/2.jpg "Aurélie Dupont - L\")
